For any performer, nothing is more annoying than being there onstage all ready and hyped up to play and then getting nothing but loud shrieks of feedback from your microphone. Well Blue’s Encore series of microphones is about to change the way microphones perform, on and off stage.

Check out Blue Microphone’s most recent release, the Encore 100.

Blue microphones are known for its distinctive look as well as its impressive ability to capture a wide range of sounds. Through the years, Blue has stayed afloat the many competitions even when they crossed other product lines like the Snowball and the Snowflake. But nobody expected for them to take one more bold move, until now.

Blue now takes the live stage with the birth of its new Encore Series of hand-held microphones. These microphones exclusively stand out from the crowd because of its beauty and sound quality. And the eldest among three siblings, the Encore 100, has dropped a number of jaws in awe after a series of tests, both onstage and in the studio.

Calling the Encore 100 as ruggedly constructed is an understatement. The first thing that you notice the moment your hold the microphone out of the box is its weight it is not uncomfortably heavy, but is clearly more solid than any other hand-held dynamics available today. Its form perfectly rests in the hand and its slip-resistant feature made it an instant favorite among performers who vigorously sweat onstage.

The Encore 100 has an Aria dynamic capsule the lets it become attuned to modern audio systems. The Encore 100 is unique from other hand-helds because it is capable of producing crisp highs and upper mids without the shriek. The capsule’s cardioids pickup patterns provide a good isolation as well as an admirable feedback rejection in a real-world setting. Plus the Encore 100 offers a nice proximity effect getting close provides a lower end but does not make the vocals sound neither dull nor overly boomy.

In an acoustic setting, the Encore 100 will give you an impressive voice articulation without needing any graphic EQ adjustments in your guitar or vocal amp. It flattens the EQ’s upper midrange and reduces any potential feedback on the vocal mic and at the same time helps enhance the tone of the instrument (the guitar, for example) you are using. In the studio on the other hand, the Encore 100 gave a lot of detail to the sound without sacrificing warmth. This means that the Encore 100 is the right microphone in both live and controlled situations. It delivers nothing but the sound that you deserve, and so much more.

With the Encore 100, you will get nothing but a crisp and clear sound whether you are playing in an intimate show or taking the house down in a blues bar. So why go for anything less? Get the Encore 100 today!

Find another review on the Blue Encore 100 Dynamic Vocal Microphone.

Tags: audio, microphone, Music, recording, singing